Being that we have reached the halfway mark of the year, I figured I ought do a quick roundup of my favorite reads of the year. This list won’t be all literary fiction, of course (I’m not that much of a snob!) and it won’t include many of the year’s breakouts (I haven’t read them yet!) But it will be an honest and true account of what I consider to be the high points of my reading life in 2017:
- The Leavers – Lisa Ko’s The Leavers is breathtaking look at immigration and intercultural adoption. Polly’s a character you can’t help but feel both intense anger and intense sadness for. Her decisions cause a spiderweb of strife and pain for her son Deming, but are made in truly impossible times. As he grows up, Deming’s caught between the life he’s living with his adoptive parents and the life he ought to be living his mom. The Leavers is heartbreaking in both the worst and best of ways.
- The Animators – Kayla Rae Whitaker has established herself as a major young talent with her debut novel, The Animators. This story of two best friends, Sharon and Mel, who work as an animation duo, chronicles their personal and professional struggles at dawn of a new phase in their careers. The novel journeys through their pasts and how those pasts inform their current selves and their futures. The relationship between Mel and Sharon is one of my favorite recent depictions of female friendship – full, loving and prickly as hell. And Sharon’s rural background makes me recall my own. I selected this book sort of blindly via Book of the Month Club, and it’s absolutely my favorite Book of the Month Club selection.
- A Passage to India – A Passage to India was my introduction to E.M. Forrester’s elegant and sumptuous prose. How I never read Forrester before is completely beyond me and I’m terribly upset with myself for not reading this amazing novel until I was 30 years old. Forrester’s tale of cultural conflict and misunderstandings between the colonizing English and the India and Indians they colonize is ridiculously lyrical, beautiful and a genuine pleasure to read.
- #famous – I’ve actually reviewed Jilly’s YA novel here. #famous isn’t perfect and this isn’t the sort of work filled with beautiful prose or deep thoughts. But it’s genuinely a fun, adorable read. The characters feel like the teenagers that they are actually meant to be and not some adult’s vague memory of adolescence. The dialogue was snappy and delightful and quite frankly, I need to see this on the big screen.
- Attachments – This, I’ve always reviewed here. I love this book without any sort of hesitation. The plot circles around an IT guy, Lincoln, who falls in love with a woman, Beth, while he reads through the emails she exchanges at work with her best friend, Jen. It’s essentially a ridiculous screwball comedy in book form and how can that not be adored? Attachments leans into the ridiculousness of its premise which is what makes it so enjoyable to read. And again, Beth and Jen’s friendship is fantastic – it’s supportive and loving and not full of backstabbing bull. For me, this was a perfect read to chase a few blues away.
- Freddy and Fredericka – I actually bought Freddy and Fredericka at a used bookstore on a whim and 90% due to the cover. Mark Helprin’s satire of the British royal family (Freddy and Fredericka are a not-even-thinly veiled version of Charles and Diana) is a magnificently fanciful fairy tale farce and it is amazing. Essentially, after a series of embarrassing events, Freddy and Fredericka get carted out to America to prove themselves worthy of the throne. This book is dense, but it’s also hilarious. In some respects, the density is part of the reason I’m so fond of it – yes, it gets off to a slow start, but I found it to be like a marathon – it’s just the sort of book to be savored and read thoughtfully, rather than devoured in haste. It’s sympathetic and mocking of its protagonists and reminds you of their inherent goodness despite the situations of their lives and situations in which they find themselves. Fredericka in particular really comes into her own in the second half of the novel. The novel is both irreverent and down to earth and it’s just honestly, earnestly good.
- The Muse – Some people haven’t felt as kindly towards Jessie Burton’s follow up to The Miniaturist but I really enjoyed The Muse. Burton is amazingly skilled at evoking the feeling of a bygone era and in The Muse, she manages to make both 1960s London and the Spanish Civil War come a life. Not only this, she tackles the tricky work of writing a black woman’s life in 1960s London. I have to love her for writing an experience that is very much not her own and for doing it so very well. Jessie Burton is basically my Literary Girl Crush.
- Moonglow – I’ve loved Michael for a very long time now. At least, it feels like a long time. I read Wonder Boys back in 2000 and I fell in love with his brain then. Whenever I read Chabon, I always feel like his characters are sitting back and regaling me with their tales. Moonglow is no different. Of course, Moonglow is a sort of a retelling his what his grandfather told him during his last weeks of life – a deathbed confession sorts. But early on, Chabon notes that part of this is fictionalized and the dreamy, sprawling feel makes it somewhat difficult to really get a handle on what parts are completely un-embellished. And yet, that is one of the things I liked best about Moonglow. The Goodreads blurb describes it as a “work of fiction non fiction”; an “autobiography in a novel described as a memoir” – this is entirely accurate and entirely wonderful.
- Fire in the Blood by Irene Nemirovsky
- The Haunting of Hill House by Shirley Jackson
- American Street by Ibi Zoboi
- We Have Always Lived in the Castle by Shirley Jackson
- The Secret Place by Tana French
- Pachinko by Min Jin Lee