Back in April (May?), I won an ARC of Grant Ginder’s The People We Hate at the Wedding as a Goodreads Giveaway. Because I am, as always, somewhat behind in my reading, I didn’t get a chance to read this until a few days ago.
If one only looks at the cover image – the headless figures of a bride and groom atop a wedding cake, you would guess that the novel centers on the a bride, a groom, and preparations for their wedding. You’d be wrong. The groom actually doesn’t figure into the story much at all – The People We Hate at the Wedding centers around the bride, Eloise, her mother, Donna and her half-siblings Paul and Alice in the lead-up to the wedding. Continue reading
About 3 months ago, I was lucky enough to be approved for several YA ARCs. While I’ve read several of them, I’ve been incredibly remiss in actually getting down what I think about the lovely books publishers have allowed me to read.
First, I started with Becky Albertalli’s The Upside of Unrequited.
Sometimes, a novel will surprise you. That in and of itself isn’t really a surprise. What is a surprise is how the novel surprises you. Do you hate it when you thought you’d love it? Was it not as wonderful as you heard? Or was it better than your friends told you it was?
And, sometimes, the surprise is that it’s so much more than you ever anticipated.
When I requested an ARC of Miranda Emerson’s Miss Treadway and the Field of Stars, about 85% of the thought process that went into that decision was based on the over. I mean, look at it – it’s lovely!
The other 15% percent was the synopsis – it seemed like it’d be a fun romp. I only expected what I was promised – a group of people, lead by the titular Anna Treadway traipsing around London, investigating the disappearance of an actress, Iolanthe Green, who may or may not wish to be found. What I found within the pages was much more than this.
With Mya Robarts’ The V Girl, I took a step into New Adult fiction. I want to go back home because it must be said: The V Girl is simply not very good.
The V Girl has a super interesting concept, but here, that concept really reads more as a means to an end, rather than something that the author wanted to seriously explore. It feels like concept was really just a highbrow way to get sex into a book.
So, essentially, Lila Velez is a resident of a post-apocalyptic North America where rape and sexual slavery are legal. She’s a virgin, so she’s trying to lose her virginity before it’s taken from her. This sounds really good, right? Like it could be really gritty, really profound and something special? Well it’s really, really not. Robarts’ world building and characterization bears much of the fault for that.