A while back, I read Nicola Yoon’s The Sun is Also a Star.
By “a while back”, I mean I finished it in the first few days of January.
It’s been a while.
I enjoyed Yoon’s debut Everything, Everything – it was a bit too sweet and a bit too syrupy and so not me, but eh, I loved it anyway. Everyone needs the literary equivalent of a diabetic coma every now and again, right? Well, Everything, Everything was mine. When I read that Nicola Yoon was releasing a new novel dealing with immigration, I was pretty sure that it’d be up my alley. When The Sun is Also a Star turned out to be one of Book of the Month Club’s picks, I thought it was simply kismet and made it my selection.
To my sadness and frustration, I didn’t like it as much as I’d hoped.
Yoon is a competent, strong writer and she’s got great ideas and knows how to carry them out – I didn’t feel as though the novel were half-baked or un-done in some strange fashion.
Sometimes, a novel will surprise you. That in and of itself isn’t really a surprise. What is a surprise is how the novel surprises you. Do you hate it when you thought you’d love it? Was it not as wonderful as you heard? Or was it better than your friends told you it was?
And, sometimes, the surprise is that it’s so much more than you ever anticipated.
When I requested an ARC of Miranda Emerson’s Miss Treadway and the Field of Stars, about 85% of the thought process that went into that decision was based on the over. I mean, look at it – it’s lovely!
The other 15% percent was the synopsis – it seemed like it’d be a fun romp. I only expected what I was promised – a group of people, lead by the titular Anna Treadway traipsing around London, investigating the disappearance of an actress, Iolanthe Green, who may or may not wish to be found. What I found within the pages was much more than this.
AKA: Why Did I Read This?
With Mya Robarts’ The V Girl, I took a step into New Adult fiction. I want to go back home because it must be said: The V Girl is simply not very good.
The V Girl has a super interesting concept, but here, that concept really reads more as a means to an end, rather than something that the author wanted to seriously explore. It feels like concept was really just a highbrow way to get sex into a book.
So, essentially, Lila Velez is a resident of a post-apocalyptic North America where rape and sexual slavery are legal. She’s a virgin, so she’s trying to lose her virginity before it’s taken from her. This sounds really good, right? Like it could be really gritty, really profound and something special? Well it’s really, really not. Robarts’ world building and characterization bears much of the fault for that.
As an adult, I’ve really come to enjoy reading YA novels. Don’t get me wrong, I — Literary Fiction tends to still be my favorite and I still do love getting lost in the classics. It’s just that, after years of either refusing to read YA or denying that I read YA, I’m over that and am now embracing it.
I’m always on the lookout for really good YA, the same as I’m on the lookout for any good books in general. I received an ARC of Nicola Yoon’s debut Everything, Everything via NetGalley sometime ago and because I’m behind on basically life, I’m only now getting to post about it.
I was super excited about Everything, Everything from the get-go. That cover is gorgeous! It’s a debut novel! The protagonist is biracial! The author is a POC! The novel has illustrations! The illustrations were done by the author’s husband! Who is also a POC! I was all over Everything, Everything the moment I heard about it. How could I not be?
Everything, Everything ended up being a perfectly lovely, though not perfect read. Continue reading